The song "truckin" by the grateful dead ... words by Robert Hunter (not Jerry Garcia)

Steve Bergen

http://arts.ucsc.edu/gdead/agdl/truckin.html#soft

"I guess they can't revoke your soul for trying" 

              The Annotated "Truckin'"

              An installment in The Annotated Grateful Dead Lyrics.
              By David Dodd
              Research Associate, Music Dept., University of California, Santa Cruz

Copyright notice 

"Truckin'"
Words by Robert Hunter; music by Garcia, Lesh, Weir
Copyright Ice Nine Publishing; used by permission. 

       Truckin' - got my chips cashed in
       Keep Truckin - like the doodah man
       Together - more or less in line
       Just keep Truckin on

       Arrows of neon and flashing marquees out on Main Street
       Chicago, New York, Detroit it's all on the same street
       Your typical city involved in a typical daydream
       Hang it up and see what tomorrow brings

       Dallas - got a soft machine
       Houston - too close to New Orleans
       New York - got the ways and means
       but just won't let you be

       Most of the cats you meet on the street speak of True Love
       Most of the time they're sittin and cryin at home
       One of these days they know they gotta get goin
       out of the door and down to the street all alone

       Truckin - like the doodah man
       once told me you got to play your hand
       sometime - the cards ain't worth a dime
       if you don't lay em down

       Sometimes the light's all shining on me
       Other times I can barely see
       Lately it occurs to me
       What a long strange trip it's been

       What in the world ever became of sweet Jane?
       She lost her sparkle, you know she isn't the same
       Living on reds, vitamin C and cocaine
       all a friend can say is "ain't it a shame"

       Truckin' -- up to Buffalo
       Been thinkin - you got to mellow slow
       Takes time - you pick a place to go
       and just keep Truckin on

       Sitting and staring out of a hotel window 
       Got a tip they're gonna kick the door in again
       I'd like to get some sleep before I travel
       but if you got a warrant I guess you're gonna come in

       Busted - down on Bourbon Street
       Set up - like a bowling pin
       Knocked down - it gets to wearing thin
       They just won't let you be

       You're sick of hanging around and you'd like to travel
       Tired of travel, you want to settle down
       I guess they can't revoke your soul for trying
       Get out of the door - light out and look all around

       Sometimes the light's all shining on me
       Other times I can barely see
       Lately it occurs to me
       what a long strange trip it's been

       Truckin - I'm goin home
       Whoa-oh baby, back where I belong
       Back home - sit down and patch my bones
       and get back Truckin on



"Truckin'" 

Musical details: 

       Key: E 
       Time signature: 12/8 
       Chords used: E, A, B, Bsus4, G, D, F#, Amaj7 
       Songbook availability: 
              Grateful Dead 
              Anthology 
              Best of the Grateful Dead 
              New Best of the Grateful Dead 
              The Music of the Grateful Dead Made Easy for Guitar 
              Grateful Dead Anthology for Guitar 
              Best of the Grateful Dead for Guitar 
              New Best of the Grateful Dead 
              Classic Grateful Dead: Selections from 'American Beauty' 

Recorded on: 

       American Beauty (For an article by Blair Jackson on the process of recording and
       writing the song, see Stephen Barncard's site.) 
              This version included on What a Long, Strange Trip It's Been 
       Europe '72 
       Dick's Picks, Vol. 1 
       Hundred Year Hall 

First performance: August 18, 1970, at the Fillmore West, San Francisco. They opened the
show with an acoustic set, and "Truckin'" was the first song. Other firsts in the show were
"Operator", "Brokedown Palace," and "Ripple." It remained in the repertoire thereafter. 

Covers: 

       Two versions by the Pop-O-Pies, on their White EP. 
       Dead Ringers on Dead Ringers 
       Dwight Yoakam on Deadicated 
       Tesla on Five-Man Acoustical Jam 

Weir, Hunter, Lesh, and Hart were interviewed about the song in the film Classic Albums: The
Grateful Dead: American Beauty. (Aired on VH-1, April 1997. Directed by Jeremy Marre.
Copyright Isis Productions, Daniel Television, Grateful Dead Productions, 1997.) 

       Weir: There was a romance about being a young man on the road in America,
       and you had to do it! It was a rite of passage. And at the same time, it was the
       material that you drew from to write about. We were starting to become real
       guys, and really enjoying the hell out of it. We toured more or less four to six
       months out of the year. It was our bread and butter-we weren't selling that
       many records. And we had a lot of fun out on the road, got into a lot of
       trouble... We left some smoking craters of some Holiday Inns, I'll say that, and
       there were a lot of places that wouldn't have us back. All of this is absolutely
       autobiographical, all the stuff in "Truckin." 

       Hunter: This was written over a long period of time. And there were lots-I had a
       verse: "Once in a while the music gets into the street, fifty old ladies bug every
       cop on the beat, they're putting the lock on Lindley Meadow and Kezar,
       beginnin' to look like we can't play in the park." Yeah, that kind of stuff, had
       lots and lots of verses, I thought, we had all thought that we could keep adding
       to Truckin over the years, but the funny thing is, once you get it down, it is
       down. You don't go back, you don't revisit it. 

       Hart: It was autobiographical. We told our story in song. So, I knew that the
       words were strong. They were powerful, they were depicting real events in real
       people's lives, and they became part of the fabric, part of the history of our day.
       People could sing it and know there were events directly connected with it. 

       Lesh: In those days there wasn't any rock and roll bubble that would isolate us
       from the world as we went through it. So the walls of the hotels were all thin,
       and we didn't charter planes, so we flew commercial when we flew, and a lot of
       times we took buses, and I see a group of much younger people doing things in
       a way that I envy, now, looking back on it. 



Truckin'

According to The Golden Road, 

       "'Truckin'' was a popular dance step, and the word is immortalized in a number
       of '20s and '30s songs, including the blues "Keep on Truckin'" and Blind Boy
       Fuller's "Truckin' My Blues Away.""--Winter 1984. 

Step It Down has a section on the "Zudie-O", a dance which incorporated "trucking"-- 

       "You better say 'strutting' instead of 'trucking.' They're about the same, but the
       old folks just didn't like you to say it so raw."--p. 137 

and, later, describing the step: 

       "The step used in this dance also takes the same count and is a 'strutting'
       two-step: step forward with the right foot, bring the left foot up to a close, step
       in place with the right foot, and rest. Repeat with the opposite feet."--p. 137 

The Oxford English Dictionary cites many different meanings for "truck" and "trucking". One
shade has "truck" as slang for sexual intercourse, which may explain the statement above about
"trucking" being too raw a word for the "old folks." And regarding the dance: 

       "5. To dance the truck. U.S. slang. 1937 Amer. Speech XII. 183/1 Only
       negroes can really truck. [etc.]" 

and 

       trucking 2. The action of dancing the truck. slang. 1944 C. CALLOWAY
       Hepster's Dictionary in Of Minnie the Moocher (1976) 260 Trucking, a
       dance introduced at the Cotton Club in 1933." 

The OED also recognizes the phrase "Keep on trucking": 

       "to persevere: a phrase of encouragement. 1972. Sat. Rev. (U.S.) 28 Oct. 12
       One poster...shows the famous R. Crumb cartoon characters and bears the
       caption: 'Let's Keep on Truckin'." 

The New Grove Dictionary of American Music describes "Truckin'" as a dance step which
was incorporated into the "lively and strenuous circle dance", the Big Apple. It describes the
"truckin'" step, "with its shuffle step and waving index finger." 

The Great Song Thesaurus lists one other song entitled "Truckin'": (1935), w. Ted Koehler; m:
Rube Bloom. 


doodah man

Skeleton Key cites Hunter as saying that the doodah man is just lifted from the "doodah" chorus
of "Camptown Races", by Stephen Foster. 


soft machine

Possibly an allusion to William Burroughs novel, The Soft Machine. 

According to The Dictionary of Literary Biography, 

       "The 'soft machine' is both the 'wounded galaxy,' the Milkwy Way seen as a
       biological organism diseased by the virus-like Nova Mob, and the human body,
       riddled with parasites and addictions and programmed with the 'ticket' )that is,
       obsolete myths and dreams) written on the 'soft typewriter' of culture and
       civilization."--vol 8, p. 95 

There was also a British rock band by the name of Soft Machine, in the late 60's to early 70's. 

The Pop-O-Pies, on their version of "Truckin'" sang: 

       "Dallas, got a soft-drink machine..." 

I always loved that. 

And this note from a reader: 

       Subject: truckin Date: Sat, 12 Apr 1997 17:31:49 -0700 From: Jonathan Parent 

       I was reading and very much enjoying your pages of GD songs and ran on the
       part about "soft machine". I read your link of the soft machine and found my
       take to be very differant. I was thinking that it referred to the "political
       machines" of the 20's and 30's. The cities were notorious (e.g. Chicago, New
       York, Detroit) for their corupt govenment--Boss Tweed of Tammany Hall in
       New York and other rings of the like. Also, moonshine was run by truckers.
       Moonshine was the staple of big biz in the 20's and 30's. A soft machine could
       be referring to the fact that if you wished to "operate" you had to pay a small
       percentage of your haul. A soft machine could refer to the fact Dallas bosses
       might not enforce the fee, so the truckers would go there. Also Houston - too
       close to New Orleans could refer to rival machines in compition. And if you
       "worked" with one machine but not the other, you might not be so welcome. As
       for New York - got the ways and means, might refer to the ways and means
       commity, a board of biz that regulated biz and imposed high taxes and tarrifs on
       interstate commerce. A lot of blue grass music is tales of a working mans strife,
       what's more that than Truckin'? 

       thanxs 

       Jessup H. Ross
       janus@hey.net 



Sometimes the light's all shining on me

In Behind the Hits, Hunter describes writing the song, and notes that the line "Sometimes the
light's all shining on me" is by the band, not by him. 


What a long strange trip it's been

Arguably one of the most famous lines in rock and roll, this snippet has served as title and
subtitle to a large number of books and articles, invoking, as it does, the epoch from which it
stems. It rates an entry of its own in Skeleton Key, which notes that the line's abbreviated form,
"WALSTIB", is instantly recognizable to Deadheads. 

Here's a list (not claiming exhaustiveness) of books and articles which have used the phrase in
their titles: 

       20 Years of Rolling Stone: what a long, strange trip it's been (1987) 
       Some Lessons About Libel Law and Communication Science From the Long,
       Strange Trip of Jeffrey Masson and the Case of the Fabricated Quotations by Clay
       Calvert. (1994) 
       What a Long Strange Trip It's Been: a Hippy's History of the Sixties and Beyond,
       by Lewis Sanders. (1989) 
       "Illicit Drug Use Revisited: What a long, Strange Trip It's Been" in Annalys of Internal
       Medicine, November 15, 1993. By P.A. Selwyn. 
       "Magellan Star Scanner Experiences: What a Long, Strange Trip It's Been" in
       Advances in astronautical sciences, Volume 74, p. 513. By Eric H. Seale. 



sweet Jane

Robert Hunter, in his essay in reponse to Jurgen Fauth's piece on this site, provides an
explanation for this line: 

       "The intention was a parody of the '40's warning-style of singing commercial,
       specifically "Poor Millicent, poor Millicent/ She ne-ver used Pep-so-dent/ Her
       smile grew dim/ And she lost her vim / So folks don't me like Millicent / Use
       Pep-so-dent! " I'm sure that the allusiveness, not that entirely outre in the '60's,
       is well lost here in the '90's. So, it's perhaps an in-joke, but not one meant for
       private consumption. Just a bit of black humor that fails to fire and emerges,
       instead, as an enigma." 

Listeners may well tend to think of the Velvet Underground's "Sweet Jane." 

And this note from a reader: 

       Here's an interesting interpretation of the lines, "What in the world ever became
       of sweet Jane?/She lost her sparkle you know she isn't the same/Livin' on reds,
       vitamin C and cocaine/All a friend can say is 'Ain't it a shame?'" 

       Perhaps Sweet Jane can be seen as marijuana. Pot was all the rage for a while,
       but then it lost its allure, and a lot of people (especially in the early '70s) moved
       to pills and coke and other harder, more dangerous stuff. Somehow simple,
       innocent pot lost its sparkle for many. Thus you could read the whole stanza as,
       "Whatever became of marijuana? It used to be so much fun. Living on the hard
       stuff, it's such a shame to see your friends go that way." 

       By the way, some people have long thought that vitamin C enhances the buzz of
       certain drugs like LSD. And of course there's the belief, still common these
       days, that vitamin C can somehow save your body from the ravages of all kinds
       of abuse. 

       The stanza doesn't even have to be seen as a celebration of pot, since it could
       just as easily be about growing up and realizing that drugs in general always
       seem far more interesting when you first start playing with them than they do
       after a while. A lot of people have friends who went far too far on that path. 

       You could also point all this in a slightly different direction and think of it as a
       personal lament about your own loss of innocence. 

       All of this seems to dovetail nicely with Robert Hunter's comment that it was an
       in-joke about certain '60s commercials, if you think of the advertised product as
       pot. 

       I heard this basic idea some time ago from a fellow Deadhead. I only talked to
       him the one time so I don't remember his name. But it works so well for me that
       I haven't been able to hear that line ever since without thinking about it. 

       Dean Esmay -- esmay@syndicomm.com 



Truckin' up to Buffalo

This note from a reader: 

       Date: Mon, 11 Dec 1995 22:57:18 -0800 (PST)
       From: Eric Elliott 
       Subject: Truckin' 

       I don't know what the origin is, but many times I've heard the phrase "Shufflin'
       off to Buffalo" in reference to dancing. I'm guessing that at some point Buffalo
       was a big dance town? Since Truckin' was a type of dance it's possible that this
       phrase is the source of the line "Truckin' up to Buffalo." 

Thanks, Eric! 

Take a look at the annotation for the word "Shuffle" in the Annotated "Chinatown Shuffle" 

keywords: @geography, @gambling
DeadBase code: [TRUC] 

First posted: May 8, 1995
Last revised: October 8, 1997


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